Contredanses by Mozart and
Beethoven (including attributed and specious works): theme types in the first
strain
Theme-types are named using the terminology of William Caplin, Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven (New York: Oxford University Press, 1998).
Three tables:
1.
Summary by theme types in the first strain
2.
Dances in chronological order (K or WoO numbers), with theme type in the first
strain
3.
Table 2 sorted by theme-type
1. Summary by theme types in
the first strain
Contredanses by
theme-type (from Mozart, Beethoven list below):
*these include the incorrectly attributed pieces
|
Theme-type |
# |
Mozart* |
Beethoven* |
|
Period: |
37 |
32 |
5 |
|
Sentence: |
15 |
9 |
6 |
|
Hybrid (antecedent + continuation): |
9 |
9 |
0 |
|
Hybrid (compound basic idea + continuation): |
2 |
1 |
1 |
|
16-bar period |
1 |
1 |
0 |
|
16-bar sentence |
1 |
1 |
0 |
|
Unknown: |
1 |
1 |
0 |
|
(column totals) |
66 |
54 |
12 |
2. Dances in chronological
order (K or WoO numbers), with theme type in the first strain
|
Name |
K./op |
Title |
Theme-type
in first strain |
Notes |
|
Mozart |
101 |
4 contredanses, 1 |
Period |
"gavotte" |
|
Mozart |
101 |
4 contredanses, 2 |
Period |
|
|
Mozart |
101 |
4 contredanses, 3 |
Sentence |
In 3/4 |
|
Mozart |
101 |
4 contredanses, 4 |
Period |
"gavotte" |
|
Mozart |
123 |
Contredanse |
16-bar period |
|
|
Mozart |
267/ 271c |
4 contredanses, 1 |
Period |
|
|
Mozart |
267/ 271c |
4 contredanses, 2 |
Period |
"gavotte" |
|
Mozart |
267/ 271c |
4 contredanses, 3 |
Period* |
*The
antecedent closes with a PAC on I |
|
Mozart |
267/ 271c |
4 contredanses, 4 |
Hybrid (compound basic idea + continuation) |
|
|
Mozart |
269b |
2 contredanses for Count Czernin,
1 |
Period |
Nos 2 & 4
are in K.101 |
|
Mozart |
269b |
2 contredanses for Count Czernin, 3 |
Period |
|
|
Mozart |
462 |
6 Contredanses, 1 |
Period |
|
|
Mozart |
462 |
6 Contredanses, 2 |
Hybrid
(antecedent + continuation) |
|
|
Mozart |
462 |
6 Contredanses, 3 |
Period |
|
|
Mozart |
462 |
6 Contredanses, 4 |
Hybrid
(antecedent* + continuation) |
*The
antecedent closes with a PAC on I |
|
Mozart |
462 |
6 Contredanses, 5 |
Period |
|
|
Mozart |
462 |
6 Contredanses, 6 |
Period |
*The
antecedent closes with a PAC on I |
|
Mozart |
463 |
2 Contredanses with minuets |
Period |
|
|
Mozart |
463 |
2 Contredanses with minuets |
Period |
|
|
Mozart |
510 |
9 Contredanses (Doubtful), 1 |
Period |
"quadrille
oder seza" |
|
Mozart |
510 |
9 Contredanses, 2 |
Period |
Contretanz |
|
Mozart |
510 |
9 Contredanses, 3 |
Period |
Quadrille |
|
Mozart |
510 |
9 Contredanses, 4 |
Sentence |
Contretanz |
|
Mozart |
510 |
9 Contredanses, 5 |
Period |
"quadrille oder seza" |
|
Mozart |
510 |
9 Contredanses, 6 |
Unknown |
Contretanz. The first strain is a 12-bar theme in 6
+ 6. |
|
Mozart |
510 |
9 Contredanses, 7 |
Hybrid
(antecedent + continuation) |
Contretanz "La favorite" |
|
Mozart |
510 |
9 Contredanses, 8 |
Sentence |
Contretanz "La fenite" |
|
Mozart |
510 |
9 Contredanses, 9 |
Sentence |
Quadrille "la piramide" |
|
Mozart |
534 |
Contredanse |
unknown |
"Donnerwetter"
(peculiar design) |
|
Mozart |
535 |
Contredanse "La Battaille" |
Period |
|
|
Mozart |
565 |
2 Contredanses |
Sentence |
|
|
Mozart |
587 |
Contredanse |
16-bar
sentence |
|
|
Mozart |
603 |
2 Contredanses, 1 |
Sentence |
|
|
Mozart |
603 |
2 Contredanses, 2 |
Period
|
|
|
Mozart |
609 |
5 Contredanses, 1 |
Hybrid
(antecedent + continuation) |
Alt:
consequent begins on dominant level |
|
Mozart |
609 |
5 Contredanses, 2 |
Hybrid
(antecedent + continuation) |
|
|
Mozart |
609 |
5 Contredanses, 3 |
Period |
|
|
Mozart |
609 |
5 Contredanses, 4 |
Sentence |
Written as a
waltz |
|
Mozart |
609 |
5 Contredanses, 5 |
Period |
|
|
Mozart |
610 |
Contredanse |
-- |
= K. 609, no. 5 |
|
Mozart |
** |
24 contredanses, 1 |
Period |
(not Mozart); 17 = K.534;
18-23 = K,462; 24 = K. 535 |
|
Mozart |
** |
24 contredanses, 2 |
Hybrid
(antecedent + continuation) |
(not Mozart) |
|
Mozart |
** |
24 contredanses, 3 |
Hybrid
(antecedent + continuation) |
(not Mozart) |
|
Mozart |
** |
24 contredanses, 4 |
Period |
(not Mozart); modulating
consequent |
|
Mozart |
** |
24 contredanses, 5 |
Hybrid
(antecedent + continuation) |
(not Mozart) |
|
Mozart |
** |
24 contredanses, 6 |
Sentence
|
(not Mozart) |
|
Mozart |
** |
24 contredanses, 7 |
Period |
(not Mozart) |
|
Mozart |
** |
24 contredanses, 8 |
Period |
(not Mozart) |
|
Mozart |
** |
24 contredanses, 9 |
Period |
(not Mozart) |
|
Mozart |
** |
24 contredanses, 10 |
Hybrid
(antecedent + continuation) |
(not Mozart) |
|
Mozart |
** |
24 contredanses, 11 |
Period |
(not Mozart) |
|
Mozart |
** |
24 contredanses, 12 |
Sentence
|
(not Mozart) |
|
Mozart |
** |
24 contredanses, 13 |
Period |
(not Mozart) |
|
Mozart |
** |
24 contredanses, 14 |
Period |
(not Mozart) |
|
Mozart |
** |
24 contredanses, 15 |
Period |
(not Mozart); modulating
consequent |
|
Mozart |
** |
24 contredanses, 16 |
Period |
(not Mozart) |
|
Beethoven |
woo14 |
12 Contredanses, 1 |
Period |
Modulating
consequent |
|
Beethoven |
woo14 |
12 Contredanses, 2 |
Sentence |
|
|
Beethoven |
woo14 |
12 Contredanses, 3 |
Period |
(not Beethoven)
modulating consequent |
|
Beethoven |
woo14 |
12 Contredanses, 4 |
Sentence |
|
|
Beethoven |
woo14 |
12 Contredanses, 5 |
Period |
|
|
Beethoven |
woo14 |
12 Contredanses, 6 |
Sentence |
(not
Beethoven) |
|
Beethoven |
woo14 |
12 Contredanses, 7 |
Sentence |
|
|
Beethoven |
woo14 |
12 Contredanses, 8 |
Period |
(not
Beethoven) |
|
Beethoven |
woo14 |
12 Contredanses, 9 |
Period |
|
|
Beethoven |
woo14 |
12 Contredanses, 10 |
Hybrid (compound basic idea + continuation) |
|
|
Beethoven |
woo14 |
12 Contredanses, 11 |
Sentence |
(not
Beethoven) |
|
Beethoven |
woo14 |
12 Contredanses, 12 |
Sentence |
(not
Beethoven) |
3. Table 2 sorted by
theme-type
|
Name |
K./op |
Title |
Theme-type
in first strain |
Notes |
|
Mozart |
610 |
Contredanse |
-- |
= K. 609, no. 5 |
|
Mozart |
123 |
Contredanse |
16-bar period |
|
|
Mozart |
587 |
Contredanse |
16-bar
sentence |
|
|
Mozart |
462 |
6 Contredanses, 2 |
Hybrid
(antecedent + continuation) |
|
|
Mozart |
510 |
9 Contredanses, 7 |
Hybrid
(antecedent + continuation) |
Contretanz "La favorite" |
|
Mozart |
609 |
5 Contredanses, 1 |
Hybrid
(antecedent + continuation) |
Alt:
consequent begins on dominant level |
|
Mozart |
609 |
5 Contredanses, 2 |
Hybrid
(antecedent + continuation) |
|
|
Mozart |
** |
24 contredanses, 2 |
Hybrid
(antecedent + continuation) |
(not Mozart) |
|
Mozart |
** |
24 contredanses, 3 |
Hybrid
(antecedent + continuation) |
(not Mozart) |
|
Mozart |
** |
24 contredanses, 5 |
Hybrid
(antecedent + continuation) |
(not Mozart) |
|
Mozart |
** |
24 contredanses, 10 |
Hybrid
(antecedent + continuation) |
(not Mozart) |
|
Mozart |
462 |
6 Contredanses, 4 |
Hybrid
(antecedent* + continuation) |
*The
antecedent closes with a PAC on I |
|
Mozart |
267/ 271c |
4 contredanses, 4 |
Hybrid (compound basic idea + continuation) |
|
|
Beethoven |
woo14 |
12 Contredanses, 10 |
Hybrid (compound basic idea + continuation) |
|
|
Mozart |
101 |
4 contredanses, 1 |
Period |
"gavotte" |
|
Mozart |
101 |
4 contredanses, 2 |
Period |
|
|
Mozart |
101 |
4 contredanses, 4 |
Period |
"gavotte" |
|
Mozart |
267/ 271c |
4 contredanses, 1 |
Period |
|
|
Mozart |
267/ 271c |
4 contredanses, 2 |
Period |
"gavotte" |
|
Mozart |
269b |
2 contredanses for Count Czernin,
1 |
Period |
Nos 2 & 4
are in K.101 |
|
Mozart |
269b |
2 contredanses for Count Czernin, 3 |
Period |
|
|
Mozart |
462 |
6 Contredanses, 1 |
Period |
|
|
Mozart |
462 |
6 Contredanses, 3 |
Period |
|
|
Mozart |
462 |
6 Contredanses, 5 |
Period |
|
|
Mozart |
462 |
6 Contredanses, 6 |
Period |
*The
antecedent closes with a PAC on I |
|
Mozart |
463 |
2 Contredanses with minuets |
Period |
|
|
Mozart |
463 |
2 Contredanses with minuets |
Period |
|
|
Mozart |
510 |
9 Contredanses (Doubtful), 1 |
Period |
"quadrille
oder seza" |
|
Mozart |
510 |
9 Contredanses, 2 |
Period |
Contretanz |
|
Mozart |
510 |
9 Contredanses, 3 |
Period |
Quadrille |
|
Mozart |
510 |
9 Contredanses, 5 |
Period |
"quadrille oder seza" |
|
Mozart |
535 |
Contredanse "La Battaille" |
Period |
|
|
Mozart |
603 |
2 Contredanses, 2 |
Period
|
|
|
Mozart |
609 |
5 Contredanses, 3 |
Period |
|
|
Mozart |
609 |
5 Contredanses, 5 |
Period |
|
|
Mozart |
** |
24 contredanses, 1 |
Period |
(not Mozart); 17 = K.534;
18-23 = K,462; 24 = K. 535 |
|
Mozart |
** |
24 contredanses, 4 |
Period |
(not Mozart); modulating
consequent |
|
Mozart |
** |
24 contredanses, 7 |
Period |
(not Mozart) |
|
Mozart |
** |
24 contredanses, 8 |
Period |
(not Mozart) |
|
Mozart |
** |
24 contredanses, 9 |
Period |
(not Mozart) |
|
Mozart |
** |
24 contredanses, 11 |
Period |
(not Mozart) |
|
Mozart |
** |
24 contredanses, 13 |
Period |
(not Mozart) |
|
Mozart |
** |
24 contredanses, 14 |
Period |
(not Mozart) |
|
Mozart |
** |
24 contredanses, 15 |
Period |
(not Mozart); modulating
consequent |
|
Mozart |
** |
24 contredanses, 16 |
Period |
(not Mozart) |
|
Beethoven |
woo14 |
12 Contredanses, 1 |
Period |
Modulating
consequent |
|
Beethoven |
woo14 |
12 Contredanses, 3 |
Period |
(not
Beethoven) modulating consequent |
|
Beethoven |
woo14 |
12 Contredanses, 5 |
Period |
|
|
Beethoven |
woo14 |
12 Contredanses, 8 |
Period |
(not
Beethoven) |
|
Beethoven |
woo14 |
12 Contredanses, 9 |
Period |
|
|
Mozart |
267/ 271c |
4 contredanses, 3 |
Period* |
*The
antecedent closes with a PAC on I |
|
Mozart |
101 |
4 contredanses, 3 |
Sentence |
In 3/4 |
|
Mozart |
510 |
9 Contredanses, 4 |
Sentence |
Contretanz |
|
Mozart |
510 |
9 Contredanses, 8 |
Sentence |
Contretanz "La fenite" |
|
Mozart |
510 |
9 Contredanses, 9 |
Sentence |
Quadrille "la piramide" |
|
Mozart |
565 |
2 Contredanses |
Sentence |
|
|
Mozart |
603 |
2 Contredanses, 1 |
Sentence |
|
|
Mozart |
609 |
5 Contredanses, 4 |
Sentence |
Written as a
waltz |
|
Mozart |
** |
24 contredanses, 6 |
Sentence
|
(not Mozart) |
|
Mozart |
** |
24 contredanses, 12 |
Sentence
|
(not Mozart) |
|
Beethoven |
woo14 |
12 Contredanses, 2 |
Sentence |
|
|
Beethoven |
woo14 |
12 Contredanses, 4 |
Sentence |
|
|
Beethoven |
woo14 |
12 Contredanses, 6 |
Sentence |
(not
Beethoven) |
|
Beethoven |
woo14 |
12 Contredanses, 7 |
Sentence |
|
|
Beethoven |
woo14 |
12 Contredanses, 11 |
Sentence |
(not
Beethoven) |
|
Beethoven |
woo14 |
12 Contredanses, 12 |
Sentence |
(not
Beethoven) |
|
Mozart |
510 |
9 Contredanses, 6 |
unknown |
Contretanz. The first strain is a 12-bar theme in 6
+ 6. |
|
Mozart |
534 |
Contredanse |
unknown |
"Donnerwetter"
(peculiar design) |