Fall
2009 Dante
I
ITL
390K (37390), crosslisted with MDV 392M (66250): TTH 2-3:30 in MEZ 1.104
Guy P. Raffa, Dept. of French and
Italian, HRH 3.104A; 471-6390
guyr@uts.cc.utexas.edu ; Home page: http://uts.cc.utexas.edu/~guyr
Course Conducted in English; Reading Knowledge of Italian
Required
This course is the first half
of a two-semester sequence focused on Dante's Commedia and his other works. This
semester we will read the Inferno, the Vita nuova, two books of the Convivio (1 and 3), the Monarchia, and the first half of Purgatorio. Placing our close reading
of these texts within a series of literary, intellectual, and historical
contexts, we will attend to Dante's engagement with works by classical authors
(Virgil, Ovid, Lucan, Statius, Cicero) and other medieval poets, philosophers,
and theologians. The Danteworlds commentary and the complementary Web site ( http://danteworlds.laits.utexas.edu/)
will provide much of this background material and help guide your reading of
the Commedia.
Since a goal of the course is
to become familiar with major voices in Dante Studies, our discussion of
Dante's works will be informed by selected works of criticism (all of which are
available on reserve in the PCL). I recommend that you photocopy the assigned pages
of these works. Twice during the semester you are required to write a brief
response—both descriptive and analytical—to one of these critical
works. Other graded assignments include a take-home exam and a substantial
research project consisting of a paper and a formal presentation to the class.
For the paper, you are required to write a significant draft (12-15 pages, with
full documentation) that you will likely expand and revise in the spring
semester. You are expected to attend class regularly, to be well prepared, and
to participate actively in class discussion.
Required Texts: Inferno (Garzanti, 2008); Purgatorio (Garzanti, 2008); Vita nuova (Garzanti, 2009); Convivio (Garzanti, 2005); Monarchy (Cambridge, 1996)
Optional: The Complete Danteworlds:
A Reader's Guide to the Divine Comedy
(Chicago, 2009)
Assignments and Computation of Grade
Two 500-1000 word critical responses (10% each): 20%
Take-Home Exam: 20%
Research project (paper and presentation): 30%
Class preparation and participation: 30%
Critical Works on Reserve (with indication of assigned pages)
Singleton, An Essay on the "Vita Nuova" (3-24, 117-27), Harrison, The
Body of Beatrice (1-30, 144-57, 171-76, 198-99), Freccero, Dante: The Poetics
of Conversion
(1-28, 119-35, 152-66, 275-78, 303-5), Freccero, Dante: A Collection of
Critical Essays (61-77, 78-101), Musa, Advent at the Gates (65-84, 85-109, 145-58),
Auerbach, Mimesis (174-202), Vance, Mervelous Signals (230-55), Musa, Dante's
Inferno
(325-52), Mazzotta, Dante, Poet of the Desert (66-106), Menocal, The
Arabic Role in Medieval Literary History (115-35), Singleton, Dante Studies I (84-98), Barolini, The
Undivine Comedy (74-98, 122-42, 291-98, 306-13), Barolini, Dante's Poets (153-73)
Dante I: Fall 2009
8/27:
Introduction to the course
9/1:
Vita nuova, chapters
1-19 (pages 1-34); Harrison, The Body of Beatrice (1-30)
9/3:
Vita nuova, chapters
20-42 (pages 34-74); Singleton, An Essay on the "Vita Nuova" (1-24); Harrison (144-57)
9/8:
Inferno 1-2 (Prologue);
Freccero, "The Prologue Scene," in Dante: The Poetics of
Conversion (1-28)
9/10:
Inferno 3-4 (Cowards,
Virtuous pre- and non-Christians)
9/15:
Inferno 5-7 (Lustful,
Gluttons, Avaricious & Prodigal, Wrathful & Sullen); Poggioli,
"Paolo and Francesca," in Freccero, Dante: A Collection of
Critical Essays (61-77)
9/17:
Inferno 8-9 (Wrathful
& Sullen); Freccero, "Medusa: The Letter and the Spirit," in Poetics
of Conversion (119-35);
Musa, "At the Gates of Dis," in Advent at the Gates (65-84)
9/22:
Inferno 10-11
(Heretics); Auerbach, "Farinata and Cavalcante," in Mimesis (174-202); Convivio, Book 1, chapters 1-4 (pages 5-20)
9/24:
Convivio, Book 1,
chapters 5-13 (pages 20-48)
9/29:
Inferno 12-14
(Murderers, Suicides, Blasphemers); Spitzer, "Speech and Language in Inferno XIII," in Freccero, A Collection
of Essays (78-101)
10/1:
Inferno 15-17
(Sodomites, Usurers); Vance, "The Differing Seed: Dante's Brunetto
Latini," in Mervelous Signals
(230-55)
10/6:
Inferno 18-20
(Panderers & Seducers, Flatterers, Simonists, Soothsayers)
10/8:
Inferno 21-23
(Barrators, Hypocrites); Kleinhenz, "Iconographic Parody in Inferno XXI," in Musa, Dante's "Inferno":
The Indiana Critical Edition
(325-39); Hollander, "Virgil and Dante as Mind-Readers (Inferno XXI-XXIII)," in Musa, Dante's
"Inferno" (340-52)
10/13:
Inferno 24-25
(Thieves); Take-Home Exam Due
10/15:
Inferno 26-27
(Fraudulent Counselors); Mazzotta, "Rhetoric and History," in Dante,
Poet of the Desert
(66-106)
10/20:
Inferno 28-30 (Sowers
of Discord, Falsifiers); Menocal, "Italy, Dante, and the Anxieties of
Influence," in The Arabic Role in Medieval Literary History (115-35)
10/22:
Inferno 31-33
(Giants, Traitors); Freccero, "Bestial Sign and Bread of Angels: Inferno XXXII and XXXIII," in Poetics of
Conversion (152-66)
10/27:
Inferno 34
(Traitors); Barolini, "Narrative and Style in Lower Hell," in The
Undivine Comedy (74-98);
Purgatorio 1 (Cato)
10/29:
Purgatorio 2-4
(Casella, Manfred, Belacqua); Convivio 2.1.2-15 (pages 65-69); Singleton, "Two Kinds of
Allegory," in Dante Studies I: "Commedia": Elements of
Structure (84-98)
11/3:
Purgatorio 5 (Jacopo
del Cassero, Buonconte da Montefeltro, La Pia); Convivio, Book 3
11/5:
Purgatorio 6-7
(Sordello); Barolini, "The Poetry of Politics: Bertran and Sordello,"
in Dante's Poets: Textuality and Truth in the "Comedy" (153-73)
11/10:
Purgatorio 8-9 (Nino
Visconti, Currado Malaspina); Musa, "In the Valley of the Princes,"
in Advent at the Gates
(85-109)
11/12:
Purgatorio 10-12
(Omberto Aldobrandeschi, Oderisi da Gubbio, Provenzan Salvani); Barolini,
"Re-presenting What God Presented: The Arachnean Art of the Terrace of
Pride," in Undivine Comedy
(122-42)
11/17:
Purgatorio 13-14
(Sapia, Guido del Duca, Rinieri da Calboli): Draft of Research Paper
11/19:
Purgatorio 15-17
(Marco Lombardo); Monarchy,
Book 1
11/24:
Monarchy, Books 2-3
THANKSGIVING
12/1:
Research Presentations
12/3:
Research Presentations; Paper Due
Department of French and Italian, College of Liberal Arts, UT Austin