Ancient Music: Selected Bibliography

Ancient Music: Bibliography

prepared by Timothy Moore, Department of Classics, The University of Texas at Austin

I. On the Web

II. Recordings

Glau, Katherina. 1998. Rezitation griechischer Chorlyrik : die Parodoi aus Aischylos' Agamemnon und Euripides' Bakchen als Tonbeispiel auf CD mit Text- und Begleitheft. Heidelberg : Universitätsverlag C. Winter.
Maioli, Walter. 1996. Synaulia: Music From Ancient Rome. Vol. 1: Wind Instruments. CD. Amiata Records.
Maioli, Walter. 2002. Synaulia: Music From Ancient Rome. Vol. 2: String Instruments. CD. Amiata Records.
Maioli, Walter. 2003. The Etruscan Flutes. CD. Il Centro del Suono.
Neuman, Gayle Stuwe and Philip Neuman. 1999. Music of the Ancient Sumerians, Egyptians & Greeks. CD. Pandorion Records.
Neuman, Gayle Stuwe, Philip Neuman, and William Gavin. 1997. Music of the Ancient Greeks, ensemble De Organographia. CD. Pandourion Records.

III. Books and Articles

A. General Works
Greece and Rome

Bélis, Annie 1999. Les Musiciens dans l’Antiquité. Paris: Hachette.
Birchler Emery, P. et al. 1996. La musique et la danse dans l’antiquité. Geneva: Unité d’archéologie classique, University of Geneva.
Comotti, Giovanni. 1989. Music in Greek and Roman Culture. Baltimore: Johns Hopkinis University Press.
Hall, Edith. 2002. "The Singing Actors of Antiquity," in Greek and Roman Actors: Aspects of an Ancient Profession, edd. Pat Easterling and Edith Hall. Cambridge, Eng.: Cambridge University Press, pp. 3-38.
Landels, John G. 1999. Music in Ancient Greece and Rome. London: Routledge.

Greece

Anderson, Warren D. 1994. Music and Musicians in Ancient Greece. Ithaca, NY: Cornell University Press.
Barker, Andrew. 2007. The Science of Harmonics in Classical Greece. Cambridge, Eng.: Cambridge University Press.
Gentili, Bruno and Franca Perusino (edd.) 1995. Mousike: Metrica ritmica e musica greca in memoria di Giovanni Comotti. Pisa: Istituti Editoriali e Poligrafici Internazionali.
Gentili, Bruno and Roberto Pretagostini (edd.). 1998. La musica in Grecia. Bari: Laterza.
Goldhill, Simon and Robin Osborne (edd.). 1999. Performance Culture and Athenian Democracy. Cambridge, Eng.: Cambridge University Press.
Hagel, Stefan and Christine Harrauer (edd.). 2005. Ancient Greek Music in Performance. Symposion Wien 29. Sept. - 1. Okt. 2003. Vienna: Austrian Academy of Sciences.
Hagel, Stefan. 2010. Ancient Greek Music: A New Technical History. Cambridge, Eng.: Cambridge University Press.
Henderson, Isobel. 1957. "Ancient Greek Music," in Ancient and Oriental Music, ed. Ego Wellesz. New Oxford History of Music, Vol. 1, pp. 336-403. London: Oxford University Press.
Martinelli, Maria (ed.). 2009. La Musa dimenticata. Aspetti dell'esperienza musicale greca in età ellenistica. Pisa: Edizione della Scuola Normale.
Mathiesen, Thomas J. 1999. Apollo's Lyre: Greek Music and Music Theory in Antiquity and the Middle Ages. Lincoln: University of Nebraska Press.
Meriani, Angelo. 2003. Sulla Musica Greca Antica: Studi e Ricerche. Quaderni del Dipartimento di Scienze dell'Antichità. Salerno: Università degli Studi di Salerno.
Monro, David Binning. 1894. The Modes of Ancient Greek Music. Oxford: Clarendon.
Murray, Penelope and Peter Wilson (edd.). 2004. Music and the Muses: The Culture of 'Mousike' in the Classical Athenian City. Oxford: Oxford University Press.
Pinault, Georges-Jean (ed.). 2001. Musique et poésie dans l'antiquité: actes du colloque de Clermont-Ferrand, Université Blaise Pascal, 23 mai 1997. Clermont-Ferrand : Presses Universitaires Blaise Pascal.
Wegner, Max. 1949. Das Musikleben der Griechen. Berlin: De Gruyter.
West, M.L. 1992. Ancient Greek Music. Oxford: Clarendon.
Winnington-Ingram, R. P. 1936. Mode in Ancient Greek Music. Cambridge, Eng.: Cambridge University Press.

Rome

Abert, Hermann. 1922. "Die Musik," in Ludwig Friedländer, Darstellungen aus der Sittengeschichte Roms in der Zeit von Augustus bis zum Ausgang der Antonine. 10th edition, besorgt von Georg Wissowa. Vol. 2. Leipzig: Hirzel, pp. 163-190.
Baudot, Alain. 1973. Musiciens romains de l’antiquité. Montreal: Les Presses de l’Université de Montréal.
Grimal, Pierre. 1978. Le lyrisme à Rome. Paris: Presses Universitaires de France.
Horsfall, Nicholas. 2003. The Culture of the Roman Plebs. London: Duckworth.
Mountford, James. 1964. "Music and the Romans." Bulletin of the John Rylands Library 47: 198-211.
Péché, Valérie and Christopher Vendries. 2001. Musique et spectacles à Rome et dans l’Occident romain sous la République et le Haut-empire. Paris: Errance.
Scoditti, Francesco. 2009. Solisti ed e esecutori nella cultura musicale romana. Lecce: Congedo.
Wille, Günther. 1967. Musica Romana: Die Bedeutung der Musik im Leben der Römer. Amsterdam: Verlag P. Schippers N.V.

B. Texts and Documents

Texts

Barker, Andrew. 1984. Greek Musical Writings. Vol I: The Musician and his Art. Cambridge, Eng.: Cambridge University Press.
Barker, Andrew. 1989. Greek Musical Writings. Vol II: Harmonic and Acoustic Theory. Cambridge, Eng.: Cambridge University Press.
Burette, M. (transl.). (1735). Dialogue de Plutarque sur la musique. Paris: "L'Imprimerie Royale. Repr. Geneva, Minkoff, 1973.
Goode, Helen Dill and Gertrude C. Drake (transl.). 1980. Cassiodorus Institutiones. Book II. Chapter V; Isidore of Seville Book III. Chapters 15-23 / Isidore of Seville. Colorado Springs : Colorado College Music Press.
Gamberini, Leopoldo (ed. and comm.). 1979. Plutarco “Della musica.” Florence: Olschki.
Greaves, Denise Davidson (ed.). 1986. Sextus Empiricus, Against the Musicians. Lincoln, Neb.: University of Nebraska Press.
Jacobsson, Martin (ed. and transl.). 2002. Aurelius Augustinus. De musica liber VI. Acta Universitatis Stockholmiensis. Studia Latina Stockholmensis 47. Stockholm: Almqvist & Wiksell.
Jan, Karl von. 1895. Musici scriptores Graeci. Leipzig: Teubner.
Pearson, Lionel. 1990. Aristoxenus Elementa Rhythmica. Oxford: Clarendon Press.
Weil, Henri, and Th. Reinach (ed. and comm.). 1900. Plutarque, De la musique. Paris: Leroux.
Winnington-Ingram, R.P. 1963. Aristides Quintilianus. De musica libri tres. Leipzig: Teubner.

Extant Melodies
Collections

Pöhlmann, Egert. 1970. Denkmäler altgriechischer Musik: Sammlung, Übertragung und Erläuterung aller Fragmente und Fälschungen. Nuremberg: Carl.
Pöhlmann, Egert, and Martin L. West, edd. 2001. Documents of Ancient Greek Music: The Extant Melodies and Fragments. Oxford: Clarendon Press (=DAGM).

Individual documents and studies

Bélis, Annie. 2001. “Esthétique musicale du péan à travers l’exemple des Hymnes delphiques à Apollon,” in Chanter les Dieux: Musique et religion dans l’Antiquité grecque et romaine. Actes du colloque des 16, 17 et 18 décembre 1999 (Rennes et Lorient), edd. Pierre Brulé and Christophe Vendres. Rennes: Presses Universitaires de Rennes, pp. 97-114.
Bélis, Annie. 2004. “Un papyrus musical inédit au Louvre.” Comptes Rendus de l’Académie des Inscriptions & Belles-Lettres: 1305-1329.
Cosgrove, Charles H. and Mary C. Meyer. 2006. “Melody and Word Accent Relationships in Ancient Greek Musical Documents: The Pitch Height Rule.” Journal of Hellenic Studies 126: 66-81.
Gammacurta, Tatiana. 2006. Papyrologica scaenica: I copioni teatrali nella tradizione papiracea. Alessandria: Edizioni dell’Orso.
Giacomelli, Corrado. 2003. "Problema del rapporto fra ritmo metrico e ritmo musicale negli scoli agli inni di Mesomede." Rivista di Cultura Classica e Medioevale 45.1: 93-109.
Hagel, Stefan. 2000. Modulation in altgriechischer Musik: Antike Melodien in Licht antiker Musiktheorie. Frankfurt: Lang.
Huys, Marc. 1993. “P.Oxy.LIII 3705: A Line from Menander’s ‘Periceiromene’ with Musical Notation.” Zeitschrift für Papyrologie und Epigraphik 99: 30-32.
Johnson, William A. 2000. “Musical Evenings in the Early Empire: New Evidence from a Greek Papyrus with Musical Notation.” Journal of Hellenic Studies 120: 57-85.
Schröder, Stephan. 1999. “Zwei Überlegungen zu den Liedern vom Athenerschatzhaus in Delphi.” Zeitschrift für Papyrologie und Epigraphik 128: 65-75.
West, M.L. 1999. “Sophocles with Music? Ptolemaic Music Fragments and Remains of Sophocles (Junior?), Achilleus.” Zeitschrift für Papyrologie und Epigraphik 126: 43-65.

C. Aspects of Song
Singing and Speaking

Allen, Walter, Jr. 1972. "Ovid's cantare and Cicero's cantores Euphorionis." Transactions and Proceedings of the American Philological Association 103: 1-14.
Campbell, David A. 1964. "Flutes and Elegiac Couplets." Journal of Hellenic Studies 84: 63-68.
Christ, Wilhelm. 1875. "Die Parakataloge im griechischen und römischen Drama." Abhandlungen der philosophisch-philologischen Classe der Königlich bayerischen Akademie der Wissenschaften 13. 3: 155-222.
Dangel, Jacqueline. 1989a. “Diverbia et cantica chez Accius: versification et diction dramatique.” Revue des Études Latines 67: 191-212.
Dangel, Jacqueline. 1989b. “Oratio vincta et Oratio numerosa dans les vers iambo-trochaïques d’Accius.” Euphrosyne 17: 63-85.
Dangel, Jacqueline. 1992a. “La retractatio dans la tragédie republicaine romaine.” Pallas 38: 313-326.
Dangel, Jacqueline. 1992b. “Théâtre latin: un récital vocal.” Ktema: Civilisations de l’orient, de la Grèce et de Rome antique 17: 17-28.
Dangel, Jacqueline. 1993. “Les réécritures de la métrique grecque dans les tragédies d’Accius: des indices de diction?” Revue des Études Latines 71: 55-72.
Gentili, Bruno. 1960. "Paracataloghè." In Enciclopedia dello Spettacolo VII. Rome: Le Maschere, pp. 1599-1601.
Habinek, Thomas. 1998b. “Singing, Speaking, Making, Writing: Classical Alternatives to Literature and Literary Studies.” Stanford Humanities Review 6.1: 65-75.
Habinek, Thomas. 2005. The World of Roman Song: From Ritualized Speech to Social Order. Baltimore, Maryland: The Johns Hopkins University Press.
Jahn, Otto. 1867b. "Wie wurden die Oden des Horatius vorgetragen?" Hermes 2: 418-433.
Lenchantin, M. 1944-1945. "Meletemata metrica." Athenaeum 22-23: 72-97.
Moore, Timothy J. 2008. “Parakataloge: Another Look,” Philomusica 7:) 143-152 (http://riviste.paviauniversitypress.it/index.php/phi/article/view/07-02-Moisa-14).
Nagy, Gregory. 1990. Pindar’s Homer: The Lyric Possession of the Epic Past. Baltimore: Johns Hopkins University Press.
Perusino, Franca. 1966. “Il problema della paracataloghé nei tetrametri giambici catalettici della commedia greca.” Quaderni Urbinati della Cultura Classica 1: 9-14.
Pretagostini, Roberto. 1976. “Dizione e canto nei dimetri anapestici di Aristofane.” Studi Classici e Orientali 25: 183-212.
White, John Williams. 1912. The Verse of Greek Comedy. London.
Wille, Günther. 1961. "Singen und Sagen in der Dichtung des Horaz," in Eranion: Festschrift für Hildebrecht Hommel. Tübingen: Niemeyer, pp. 169-184.
Zielinski, Th. 1885. Die Gliederung der altattischen Komoedie. Leipzig: Teubner.

The Voice

Armstrong, David, and Ann Ellis Hanson. 1986. “Two Notes on Greek Tragedy.” Bulletin of the Institute of Classical Studies, University of London 33: 97-102.
Biehle, Herbert. 1929. "Die antike Stimmkunst." Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft 23: 275-285.
Bukofzer, M. 1903. “Zur Hygiene des Tonansatzes unter Berücksichtigung moderner und alter Gesangsmethoden.” Archiv für Laryngologie und Rhinologie 15: 185-216.
Halliwell, Stephen. 1990. “The Sounds of the Voice in Old Comedy,” in ‘Owls to Athens’: Essays on Classical Subjects Presented to Sir Kenneth Dover, ed. E.M. Craik. Oxford: Clarendon, pp. 69-79.
Kaimio, Maarit. 1977. Characterization of Sound in Early Greek Literature. Commentationes Humanarum Litterarum 53. Helsinki: Societas Scientiarum Fennica.
Krumbacher, Armin. 1921. Die Stimmbildung der Redner im Altertum bis auf die Zeit Quintilians. Paderborn: Schöningh.
Müller-Heuser, Franz. 1997. Vox humana: Ein Beitrag zur Untersuchung der Stimmästhetik des Mittelalters. Kassel: Bosse.
Pavlovskis, Zoja. 1977. "The Voice of the Actor in Greek Tragedy." Classical World 71: 113-123.
Schmidt-Colinet, Constanze. 2002. "Sänger im Alten Orient und in Griechenland: Musiker am neuassyrischen Hof," in Studien zur Musikarchäologie III, edd. Hickmann, Ellen, Anne D. Kilmer, and Ricardo Eichmann. Rahden: Leidorf, pp. 599-615.
Schuol, Monika. 2002. "Sänger und Gesang in den homerischen Epen. Frühgriechische Musik vor dem Hintergrund altanatolischer Tradition," in Studien zur Musikarchäologie III, edd. Hickmann, Ellen, Anne D. Kilmer, and Ricardo Eichmann. Rahden: Leidorf, pp. 429-439.
Vetta, Massimo. 1993. "La voce degli attori nel teatro attico," in Tradizione e innovazione nella cultura greca da omero all'età ellenistica: Scritti in onore di Bruno Gentili vol. II, ed. Roberto Pretagostini. Rome: Gruppo Editoriale Internazionale, pp. 703-718.

Rhythm

Allen, William Sidney. 1973. Accent and Prosody: Prosodic Features of Latin and Greek: A Study in Theory and Reconstruction. Cambridge, Eng: Cambridge University Press.
Amsel, Georgius. 1887. De vi atque indole rhythmorum quid veteres iudicaverint. Breslauer Philologische Abhandlungen 1.3. Breslau: Koebner.
Comotti, Giovanni. 1988b. "I problemi dei valori ritmici nell'interpretazione dei testi musicali della Grecia antica," in La musica in Grecia, edd. Bruno Gentili and Roberto Pretagostini. Bari: Laterza, pp. 17-25.
Gentili, Bruno and Liana Lomiento. 2003. Metrica e ritmica: Storie delle forme poetiche nella grecia antica. Milan: Mondadori Università. Georgiades, Thrasybulos. 1956. Greek Music, Verse and Dance, translated by Erwin Benedikt and Marie Louise Martinez. New York: Merlin Press.
Mathiesen, Thomas J. 1985. "Time and Rhythm in Greek Music." Music Theory Spectrum 7: 159-180.
Pighi, Giovanni Battista. 1962. “Analisi ritmiche.” Rivista di filologia classica 40: 1-21.
Pöhlmann, Egert. 1995. “Metrica e ritmica nella poesia e nella musica greca antica,” in Mousike: Metrica ritmica e musica greca in memoria di Giovanni Comotti, edd. Gentili, Bruno and Franca Perusino. Pisa: Istituti Editoriali e Poligrafici Internazionali, pp. 3-15.
Sachs, Kurt. 1953. Rhythm and Tempo: A Study in Music History. New York: Norton.
Van Raalte, Marlein. 1986. Rhythm and Metre: Towards a Systematic Description of Greek Stichic Verse. Assen/Maastricht, The Netherlands: Van Gorcum.
Waltz, René. 1948. "RHYTHMOS ET NUMERUS." Revue des Études Latines 26: 109-120.
Westphal, Rudolf. 1885. Griechische Rhythmik. 3rd edition. Leipzig: Teubner.

Ictus and Accent

Beare, William. 1957. Latin Verse and European Song: A Study in Accent and Rhythm. London; Methuen.
Bennett, Charles E. 1898. "What Was Ictus in Latin Prosody?" American Journal of Philology 19: 361-382.
Glau, Katherina. 1998. "Notizen zu Nietzsches Deutung von Arsis und Thesis," in Mousopolos Stephanos: Festschrift für Herwig Görgemanns, edd. Manuel Baumbach, Helga Köhler, and Adolf Martin Ritter. Heidelberg: Winter, pp. 219-234.
Stroh, Wilfried. 1990. "Arsis und Thesis, oder: Wie hat man die lateinische Verse gesprochen?," in Musik und Dichtung: Neue Forschungsbeiträge, Viktor Pöschl zum 80. Geburtstag gewidmet, edd. Michael von Albrecht and Werner Schubert. Frankfurt: Lang, pp. 87-116.
Wilkinson, L.P. 1963. Golden Latin Artistry. Cambridge, Eng.: Cambridge University Press.

Heterophony

Ahl, Frederick. 1991. "Pindar and the Sphinx: Celtic Polyphony and Greek Music," in Harmonia Mundi: Musica e filosofia nell'antichità: Music and Philosophy in the Ancient World, edd. Robert W. Wallace and Bonnie MacLachlan. Rome: Ateneo, pp. 131-150.
Barker, Andrew. 1995. “Heterophonia and Poikilia: Accompaniments to Greek Melody,” in Mousike: Metrica ritmica e musica greca in memoria di Giovanni Comotti, edd. Bruno Gentili and Franca Perusino. Pisa: Istituti Editoriali e Poligrafici Internazionali, pp. 41-60.

D. Instruments
General

Bélis, Annie. 1989. “Les instruments de la Grèce antique: Des vestiges à la reconstruction.” Dossiers d’Archéologie 142: 41-47.
di Giglio, Anna. 2000. Strumenti delle Muse: Lineamenti di organologia greca. Bari: Levante.
Huchzermeyer, Helmut. 1930. Aulos und Kithara in der griechischen Musik bis zum Ausgang der klassischen Zeit (nach den literarischen Quellen). Emsdetten: Heinr. & J. Lechte.

Strings

Maas, Martha and Jane McIntosh Snyder. 1989. Stringed instruments of ancient Greece. New Haven : Yale University Press.
Power, Timothy. 2010. The Culture of Kitharôidia. Washington, DC: Center for Hellenic Studies.
Vendries, Christophe. 1999. Instruments à cordes et musiciens dans l'Empire romain : étude historique et archéologique ‪(‬IIe siècle av. J.-C.-Ve siècle ap. J.-C.). Paris : L'Harmattan.
Wilson, Peter. 2004. “Athenian Strings,” in P. Murray and P. Wilson, edd., Music and the Muses: The Culture of ‘Mousike’ in the Classical Athenian City (Oxford), pp. 269-306.
Winnington-Ingram, R.P. 1956. “The Pentatonic Tuning of the Greek Lyre: A Theory Examined,” Classical Quarterly 6 169-186.

Aulos/Tibia

General

Barker, Andrew. 1987. “Text and Sense at Philebus 56a.” Classical Quarterly 37: 103-109.
Bartholinus, Casparus. 1679. De tibiis veterum et earum antiquo usu libri tres. Editio altera, figuris auctior. Amsterdam: apud J. Henr. Westenium.
Becker, Heinz. 1966. Zur Entwicklungsgeschichte der antiken und mittelalterlichen Rohrblattinstrumente. Hamburg:Sikorski.
Bélis, Annie. 1986. “L’aulos phrygien.” Revue Archéologique 1986: 21-40.
Boetticher, Wolfgang. 1964. “Aulos,” in Konrat Ziegler and Walther Sontheimer (edd.), Der Kleine Pauly. I: Aachen bis Dichalkon. Stuttgart: Druckenmüller, cols. 755-760.
Carpitella, Diego. 1992. Conversazioni sulla musica (1955-1990): Lezioni, conferenze, trasmissioni radiofoniche, a cura della Società Italiana di Etnomusicologia. Florence: Ponte alle Grazie.
Hagel, Stefan. 2004. "Calculating Auloi—The Louvre Aulos Scale,” in E. Hickmann and R. Eichmann, edd., Studien zur Musikarchäologie IV (Rahden), pp. 373-390.
Howard, Albert A. 1893. “The Aulos or tibia.” Harvard Studies in Classical Philology 4: 1-60.
Howard, Albert A. 1899. “The Mouth-piece of the Aulos.” Harvard Studies in Classical Philology 10: 19-22.
Jannot, Jean Renè. 1974. “L’aulos étrusque.” Antiquitè Classique 43: 118-142.
McKinnon, James W. and Robert Anderson. 1984. "Aulos," in The New Grove Dictionary of Musical Instruments, ed. Stanley Sadie. I: A-F. London: Macmillan, pp. 85-87.
Papadopoulou, Zozie, and Vinciane Pirenne-Delforge. 2001. “Inventer et réinventer l’aulos: autour de la XXIe Pythique de Pindare,” in Chanter les Dieux: Musique et religion dans l’Antiquité grecque et romaine. Actes du colloque des 16, 17 et 18 décembre 1999 (Rennes et Lorient), edd. Pierre Brulé and Christophe Vendres. Rennes: Presses Universitaires de Rennes, pp. 37-58.
Paulis, Giulio. 1997. “I Romani e le launeddas,” in Launeddas: la storia, lo strumento, i protagonisti, la discografia, ed. Giampaolo Lallai . Cagliari: AM&D; Nuoro: Istituto Superiore Regionale Etnografico, pp. 222-229.
Petretto, M. Alessandro. 1993-1994. "L'Aulos." Sandalion 16-17: 107-124.
Reinach, Théodore. 1919. “Tibia,” in Dictionnaire des Antiquités Grecques et Romaines, edd. Ch. Daremberg and Edm. Saglio. Vol 5: T-Z. Paris: Hachette, pp. 300-332.
Schlesinger, Kathleen. 1939. The Greek Aulos: A Study of its Mechanism and of its Relation to the Modal System of Ancient Greek Music, followed by A Survey of the Greek Harmoniai in Survival or Rebirth in Folk-Music. London: Methuen.
Wilson, Peter. 1999. “The aulos in Athens,” in Performance Culture and Athenian Democracy, edd. Simon Goldhill and Robin Osborne. Cambridge, Eng.: Cambridge University Press, pp. 58-95.

Auloi/tibiae in art

Bernadini, Paolo. 1997. “L'aulete di Ittiri,” in Launeddas: la storia, lo strumento, i protagonisti, la discografia, ed. Giampaolo Lallai. Cagliari: AM&D; Nuoro: Istituto Superiore Regionale Etnografico, pp. 206-209.
Caldelli, Maria Letizia. 1993. “Ricordo di agoni su un vetro dorato iscritto.” Archeologica Classica 45, 1: 399-407.
Comotti, Giovanni. 1975. “L’aulo ghingras in una scena menandrea del mosaico di Dioscuride.” Quaderni Urbinati 20: 215-233.
Perdrizet, R. 1899. "Reliefs Mysiens." Bulletin de Correspondance Hellénique 23: 592-599 and Pl. IV.

Extant pipes

Bélis, Annie. 1981. "Fragments d'auloi," in L'Antre Corycien II. Bulletin de Correspondance Hellénique Supplément IX. Athens, École Français d'Athènes. Pp. 176-181.
Bélis, Annie. 1984. “Auloi grecs du Louvre.” Bulletin de Correspondence Hellénique 108: 111-122.
Bélis, Annie. 1988a. “Charnières ou auloi?” Revue Archéologique 1988: 109-118.
Bélis, Annie. 1988b. “Studying and Dating Ancient Greek auloi and Roman tibiae: A Methodology,” in E. Hickmann and D.W. Hughes, edd., The Archaeology of Early Music Cultures (Bonn, 1988), pp. 233-248.
Bodley, Nicholas B. 1946. “The Auloi of Meroë.” American Journal of Archaeology 50: 217-240, and plates I-VIII.
Conze, Alexander. 1902. “Die Kleinfunde aus Pergamon.” Abhandlungen der Königlich preussischen Akademie der Wissenschaften 1902. Philosophisch-historische Classe, Abhandlung I.
Dawkins, R.M. 1929. “Objects in Carved Ivory and Bone,” in The Sanctuary of Artemis Orthia at Sparta, ed. R.M. Dawkins. London: MacMillan, pp. 203-248.
Landels, John G. 1963. “The Brauron Aulos.” The Annual of the British School at Athens 58: 116-119.
Landels, John G. 1964. “Fragments of Auloi Found in the Athenian Agora.” Hesperia 33: 392-400.
Landels, John G. 1968. “A Newly Discovered Aulos.” The Annual of the British School at Athens 63: 232-238 and plate 55 .
Lawson, Graeme, and Angela Wardle. 1991. “A Roman pipe from London.” Antiquities Journal 71: 229-230.
Loret, M. Victor. 1889. “Les flûtes égyptiennes antiques.” Journal Asiatique 14: 197-237.
Masaraki, Despina W. 1974. “Ein Aulos der Sammlung Karapanos.” Mitteilungen des Deutschen Archäologischen Instituts, Athenische Abteilung 89: 105-121, and plates 49-52.
Olsen, Poul Rovsing. 1966-1967. “An Aulos in The Danish National Museum.” Dansk aarbog for musikforskning 5: 3-9.
Southgate, T. Lea. 1915. “Ancient Flutes From Egypt.” Journal of Hellenic Studies 35: 12-21.

Auletai/tibicines

Pailler, Jean-Marie. 2001. “Et les aulètes refusèrent de chanter les dieux… (Plutarque, Question Romaine 55),” in Chanter les Dieux: Musique et religion dans l’Antiquité grecque et romaine. Actes du colloque des 16, 17 et 18 décembre 1999 (Rennes et Lorient), edd. Pierre Brulé and Christophe Vendres. Rennes: Presses Universitaires de Rennes, pp. 339-348.
Péché, Valérie. 2001. “Collegium tibicinum romanorum, une association de musicians au service de la religion romaine,” in Chanter les Dieux: Musique et religion dans l’Antiquité grecque et romaine. Actes du colloque des 16, 17 et 18 décembre 1999 (Rennes et Lorient), edd. Pierre Brulé and Christophe Vendres. Rennes: Presses Universitaires de Rennes, pp. 307-338.
Starr, Chester G. 1978. “An Evening with the Flute-Girls.” La Parola del Passato 183: 401-410.
Waltzing, Jean-Pierre. 1900. Étude historique sur les corporations professionelles chez les Romains depuis les origines jusqu'à la chute de l'Empire d'Occident. Vol. 4. Louvain: Peeters.

kroupezai/scabellum

Bélis, Annie. 1988b. "KROUPEZAI, Scabellum." Bulletin de Correspondance Hellénique 112: 323-339.
Théderat, H. 1908. “Scabellum, scabillum,” in Dictionnaire des Antiquités Grecques et Romaines, edd. Ch. Daremberg and Edm. Saglio. Vol 4.2. Paris: Hachette, p. 1106.

Other instruments

Jakob, Friedrich, et al. 2000. Die römische Orgel aus Avenches/Aventicum. Avenches: Association Pro Aventico.
Markovits, Michael. 2003. Die Orgel im Altertum. Leiden: Brill.
Salapata, Gina. 2002. “The ‘Apulian Sistrum’. Monotone or Melodic?” in Studien zur Musikarchäologie III, edd. Hickmann, Ellen, Anne D. Kilmer, and Ricardo Eichmann. (Rahden: Leidorf), pp. 415-423.

E. Music on the Greek Stage
General

Graf, Ernst. 1891. “Diaulion.” Rheinisches Museum 46:71-76.
Hunningher, Benjamin. 1956. Acoustics and Acting in the Theatre of Dionysus Eleutherus. Mededelingen der Koninklijke Nederlandse Akademie van Wetenschappen, afd. Letterkunde" Nieuwe reeks deel 19 Nr.9. Amsterdam: Noord-Hollandsche uitgeversmij.
Pickard-Cambridge, Arthur W. 1962. Dithyramb, Tragedy and Comedy. 2nd edition. Oxford: Clarendon.
Pickard-Cambridge, Arthur W. 1968. The Dramatic Festivals of Athens. 2nd ed., revised by John Gould and D.M. Lewis. Oxford: Clarendon.
Snyder, Jane McIntosh. 1979. “Aulos and Kithara on the Greek Stage,” in Panathenaia: Studies in Athenian Life and Thought in the Classical Age, edd. T.E. Gregory and A.J. Podlecki. Lawrence, Kansas: Coronado, pp. 75-95 and plates 3-7.
Wilson, Peter. 2000. The Athenian Institution of the Khoregia: The Chorus, the City and the Stage. Cambridge, Eng.: Cambridge University Press.
Wilson, Peter. 2002. "The Musicians Among the Actors." in Greek and Roman Actors: Aspects of an Ancient Profession, edd. Pat Easterling and Edith Hall. Cambridge, Eng.: Cambridge University Press, pp. 39-68.
Zimmermann, Bernhard. 1993. “Dichtung und Musik: Überlegungen zur Bühnenmusik im 5. und 4. Jahrhundert v. Chr.” Lexis 11: 23-35.

Tragedy

Barner, Wilfried. 1971. "Die Monodie," in Die Bauformen der griechischen Tragödie, ed. Walter Jens, pp. 277-320.
Browning, Robert. 1963. "A Byzantine Treatise on Tragedy," in GERAS. Studies Presented to George Thomson on the Occasion of his 60th Birthday. Prague: Charles University, pp. 67-81.
Comotti, Giovanni. 1988a. “La musica della tragedia greca,” in Scena e spettacolo nell’ antichità: Atti del Convegno Internazionale di Studio, Trento, 28-30 Marzo 1988, ed. Lia de Finis. Florence: Olschki. pp. 43-61.
Hall, Edith. 1999. “Actor’s Song in Tragedy,” in Performance Culture and Athenian Democracy, edd. Simon Goldhill and Robin Osborne. Cambridge, Eng.: Cambridge University Press, pp. 96-122.
Jouanna, Jacques. 2001. “La double fin du Philoctète de Sophocle: Rythme et Spectacle.” Revue des Études Grecques 114: 359-382.
Scott, William C. 1984. Musical Design in Aeschylean Theater. Hanover, New Hampshire: University Press of New England.
Scott, William C. 1996. Musical Design in Sophoclean Theater. Hanover, New Hampshire: University Press of New England.
Sifakis, G.M. 2001. “The Function and Significance of Music in Tragedy.” Bulletin of the Institute of Classical Studies, University of London 45: 21-35.

Comedy

Handley, Eric W. 1990. “The Bodmer Menander and the Comic Fragments,” in Relire Ménandre, edd. Eric Handley and André Hurst. Geneva: Droz, pp. 123-148.
Marshall, C. W. 2002. "Chorus, Metatheatre, and Menander, Dyskolos 427-41." Scholia 11: 3-17.
Moutsopoulos, Evanghelos. 2000. "La musique dans l'oeuvre d'Aristophane," in Le théâtre grec antique: la comédie: Actes du 10ème colloque de la Villa Kérylos à Beaulieu-sur-Mer les 1er & 2 octobre 1999. Paris: Académie des Inscriptions et Belles-Lettres, pp. 59-82.
O'Bryhim, Shawn. 2001. "Dance, Old Man, Dance!: The Torture of Knemon in Menander's Dyskolos, in Greek and Roman Comedy: Translations and Interpretations of Four Representative Plays, ed. by Shawn O'Bryhim. Austin, Texas: University of Texas Press.
Pretagostini, Roberto. 1989. “Forma e funzione della monodia in Aristofane,” in Scena e Spettacolo nell’ Antichità: Atti del Convegno Internazionale di Studio. Trento, 28-30 marzo 1988, ed. Lia de Finis. Teatro Studi e Testi 7. Florence: Olschki, pp. 111-128.
Romer, F. E. 1983. "When is a Bird Not a Bird?" Transactions of the American Philological Association 113: 135-142.
Zimmermann, Bernhard. 1985. Untersuchungen zur Form und dramatischen Technik der aristophanischen Komödien. Band I: Parodos und Amoibaion. 2nd ed. Königstein: Hain.

Hellenistic Theater

Gentili, Bruno. 1979. Theatrical Performances in the Ancient World: Hellenistic and Early Roman Theatre. London Studies in Classical Philology 2. Amsterdam: Gieben.
Sifakis, G.M. 1967. Studies in the History of Hellenistic Drama. London: Athlone.
Webster, T.B.L. 1963. “Alexandrian Epigrams and the Theatre,” in Miscellanea di Studi Alessandrini in memoria di Augusto Rostagni. Torino: Bottega d’Erasmo, pp. 531-543.
Wilamowitz-Moellendorff, Ulrich von. 1896. “Des Mädchens Klage.” Nachrichten der Akademie der Wissenschaften in Göttingen 1, Philologische-Historische Klasse 209-232.

Other

Colella, Sandra. 1987/1988. “La presenza e la funzione della musica nel teatro fliacico.” Rendiconti dell’ Accademia di Archeologia, Lettere e Belle Arte di Napoli 61: 49-67.
Krumeich, Ralf. 1999. “Demetrios: Hesione(?)," in Das griechische Satyrspiel, edd. Ralf Krumeich, Nikolaus Pechstein and Bernd Seidensticker. Darmstadt: Wissenschaftliche Buchgesellschaft, pp. 562-565.
Wiemken, Helmut. 1972. Der griechische Mimus: Dokumente zur Geschichte des antiken Volkstheaters. Bremen: Schünemann.

F. Music on the Roman Stage
General

Arcellaschi, André. 1979. "Espace matériel et espace musical sur la scène romaine." Vita Latina 75: 22-31.
Dumont, Jean Christian. 1997. “Cantica et espace de représentation dans le théâtre latin,” in De la scène aux gradins: Théâtre et representations dramatiques après Alexandre le Grand. Pallas: Revue d’études antiques. Aix: Presses Universitaires du Mirail, pp. 41-50.

Livy VII.2, the origins of Roman theater, and the performance of cantica

Beare, William. 1940. "The Delivery of Cantica on the Roman Stage." Classical Review 54: 70-72.
Hering, Wolfgang. 1966. "Satura und Hyporchem (Einige Gedanken zu Livius VII 2)." Wissenschaftliche Zeitschrift der Universität Rostock 15. Jahrgang, Gesellschafts-und Sprachwissenschaftliche Reihe Heft 4.5: 419-429.
Jory, E.J. 1981. "The Literary Evidence for the Beginnings of Imperial Pantomime." Bulletin, Institute of Classical Studies, University of London 28: 147-161.
Reitzenstein, Richard. 1963. Aufsätze zu Horaz: Abhandlungen und Vorträge aus den Jahren 1908-1925. Darmstadt: Wissenschaftliche Buchgesellschaft.
Schmidt, Peter Lebrecht. 1989. “Postquam ludus in artem paulatim verterat. Varro und die Frühgeschichte des römischen Theaters,” in Studien zur vorliterarischen Periode im frühen Rom, ed. Gregor Vogt-Spira. ScriptOralia 12. Tübingen: Narr, pp. 77-134.
Szemerényi, Oswald. 1987. Scripta Minora: Selected Essays in Indo-European, Greek, and Latin. Volume II: Latin. Innsbruck: Institut für Sprachwissenschaft der Universität Innsbruck.
Waszink, J. H. 1948. "Varro, Livy and Tertullian on the History of Roman Dramatic Art." Vigiliae Christianae 2: 224-242.

Plautus and Terence

Beare, William. 1964. The Roman Stage. 3rd ed. London: Methuen.
Bergk, Theodor. 1884. Kleine philologische Schriften 1.Halle: Buchhandlung des Waisenhauses.
Bettini, Maurizio. 1995. "Amphitruo 168-172: numeri innumeri und metrische Folklore," in Plautus und die Tradition des Stegreifspiels: Festgabe für Eckard Lefèvre zum 60. Geburstag, edd. Lore Benz, Ekkehard Stärk, and Gregor Vogt-Spira. Tübingen: Gunter Narr, pp. 89-96.
Braun, Ludwig. 1970a. Die Cantica des Plautus. Göttingen: Vandenhoeck & Ruprecht.
Braun, Ludwig. 1970b. "Polymetrie bei Terenz und Plautus," Wiener Studien 83:66-83.
Collart, Jean. 1970. “Le soldat qui ne chante pas (quelques remarques sur le rôle du miles chez Plaute)," in Mélanges Marcel Durry (=Revue des Études Latines 47 bis), 199-208. Paris: Les Belles Lettres.
Dziatzko, Karl. 1871. “Die deverbia der lateinischen Komoedie.” Rheinisches Museum 26: 97-110.
Gratwick, Adrian S. 1982. “Drama.” In Cambridge History of Classical Literature, vol. 2, edd. E.J. Kenney and W.V. Clausen. Cambridge, Eng.: Cambridge University Press, pp. 77-137.
Dupont, Florence. 1987. “Cantica et diverbia dans l’Amphitryon de Plaute.” In Filologia e forme letterarie: Studi offerti a Francesco Della Corte, vol. 2, 45-56. Urbino: Università degli Studi di Urbino.
Grysar, Carl Joseph. 1855. “Über das Canticum und den Chor in der römischen Tragödie.” Sitzungsberichte der Kaiserlichen Akademie der Wissenschaften, Wien. Philosophisch-Historische Classe 15: 365-423.
Hermann, Gottfried. 1827. Opuscula. Vol. I. Leipzig: Fleischer, 1827.
Immisch, Otto. 1923. Zur Frage der plautinischen Cantica. Heidelberg: Winter.
Law, Helen Hull. 1922. Studies in the Songs of Plautine Comedy. Menasha, WI: George Banta.
Lejay, Paul. 1925. Plaute. Paris: Boivin.
Leo, Friedrich. 1897. Die plautinischen Cantica und die hellenistische Lyrik. Berlin: Weidmann.
Lindsay, Wallace Martin. 1922. Early Latin Verse. Oxford: Clarendon Press.
Llarena i Xibillé, Montserrat. 1994. Personae Plautinae (Aproximació a la tècnica teatral de Plaute). Barcelona: Publicacions Universitat de Barcelona. Aurea Saecula 11.
Marshall, C. W. 2006. The Stagecraft and Performance of Roman Comedy. Cambridge, Eng.: Cambridge University Press.
Maurach, Gregor. 1964. Untersuchungen zum Aufbau plautinischer Lieder. Göttingen: Vandenhoeck & Ruprecht.
Michaut, G. 1912. Sur les tréteaux latins: Histoire de la comédie romaine. Paris: Fontemoing.
Moore, Timothy J. 1998a. “Music and Structure in Roman Comedy.” American Journal of Philology 119: 245-273.
Moore, Timothy J. 1999. "Facing the Music: Character and Musical Accompaniment in Roman Comedy." Syllecta Classica 19: 130-153.
Moore, Timothy J. 2001a. "Music in Epidicus," in Studien zu Plautus' Epidicus, ed. Ulrike Auhagen. Tübingen: Narr, pp. 313-334.
Moore, Timothy J. 2001b. "Music in Persa," in Studien zu Plautus' Persa, ed. Stefan . Tübingen: Narr, pp. 255-272.
Moore, Timothy J. 2004a. “Meter and Meaning in Cistellaria I 1, in Studien zu Plautus' Cistellaria, edd. Rolf Hartkamp and Florian Hurka. Tübingen: Narr, pp. 319-333.
Moore, Timothy J. 2004b. “Music in a Quiet Play,” in Studien zu Plautus' Poenulus, ed. Thomas Baier. Tübingen: Narr, pp. 139-161.
Moore, Timothy J. 2007. "Terence as Musical Innovator," in Terentius Poeta, ed. Peter Kruschwitz (Zetemata 127. Munich: Beck) 93-109.
Moore, Timothy J. 2008. “When Did the Tibicen Play?” Meter and Musical Accompaniment in Roman Comedy,” Transactions of the American Philological Association 138: 3-46.
Moore, Timothy J. Forthcoming. Music in Roman Comedy. Cambridge, Eng.
Oniga, Renato. 1998. "Struttura e funzione dei cantica nell’ Amphitruo, in Lecturae Plautinae Sarsinates I: Amphitruo, a cura di Renato Raffaelli e Alba Tontini. Urbino: Quattro Venti.pp. 31-47.
Paratore, Ettore. 1959. "Il flautista nel Dyskolos e nello Pseudolus." Rivista di cultura classica e medievale 1: 310-325.
Paratore, Ettore. 1969. "Plaute et le musique." Maske und Kothurn 15: 131-160.
Primmer, Adolf. 1984. Handlungsgliederung in Nea und Palliata: Dis Exapaton und Bacchides. Vienna: Verlag der Österreichischen Akademie der Wissenschaften.
Questa, Cesare. 1967b. Introduzione alla metrica di Plauto. Bologna: Pàtron.
Questa, Cesare. 1970. “Alcune strutture sceniche di Plauto e Menandro.” In Ménandre, Entretiens Hardt XVI. Geneva: Fondation Hardt, pp. 181-228.
Questa, Cesare. 1984a. Numeri innumeri: Ricerche sui cantica e la tradizione manoscritta di Plauto. Rome: Ateneo.
Questa, Cesare (ed.). 1995. Titi Macci Plauti Cantica. Urbino: QuattroVenti.
Ritschl, Friedrich. 1877. Opuscula Philologica, vol III: ad litteras latinas spectantia. Leipzig. Teubner.
Roppenecker, Hermann. 1930. “Vom Bau der Plautinischen Cantica.” Philologus 85: 65-84.
Salvatore, Armando. 1951. “La struttura ritmico-musicale del Rudens e l’Ione di Euripide (Contributo allo studio dei Cantica Plautini).” Rendiconti dell’ Accademia di Archeologia, Lettere e Belle Arte di Napoli 26: 56-97.
Sedgwick, W.B. 1925. “The cantica of Plautus.” Classical Review 39: 55-58.
Sedgwick, W.B. 1949. "The Origin and Development of Roman Comic Metres." Classica et Mediaevalia 10: 171-181.
Spengel, A. 1877. Die Akteinteilungen der Komödien des Plautus. Programm des Königlichen Maximilians-Gymnasiums für das Schuljahr 1876/1877. Munich: Staub.
Studemund, Wilhelm. 1864. De canticis Plautinis. Dissertation, Halle.
Tobias, Alfred John. 1969. "Plautus' Metrical Characterization," [PhD Diss.]. Stanford.
Tobias, Alfred John. 1979. "Bacchiac Women and Iambic Slaves in Plautus." Classical World 73: 9-18.

Imperial Theater

Boissier, Gaston. 1861. "De la signification des mots saltare et cantare tragoediam." Revue Archéologique 2: 333-343.
Ciotti, Umberto. 1950. “Rilievo Romano e plutei medioevali ritrovati a castel S. Elia.” Bolletino dell’ Arte 35: 1-8.
Heldmann, Georg. 2000. "Die griechische und lateinische Tragödie und Komödie in der Kaiserzeit." Würzburger Jahrbücher für die Altertumswissenschaft 24: 185-205.
Jürgens, Heiko. 1972. Pompa Diaboli: Die lateinischen Kirchenväter und das antike Theater. Stuttgart.
Kelly, H.A. 1979. “Tragedy and the Performance of Tragedy in Late Roman Antiquity.” Traditio 35: 22-44.
Latte, Kurt. 1954. "Zur Geschichte der griechischen Tragödie in der Kaiserzeit." Eranos 52: 125-127.
Quasten, Johannes. 1972. Musik und Gesang in den Kulten der heidnischen Antike und christlichen Frühzeit. 2nd edition. Münster: Aschendorff.
Wagenvoort, Hendrik. 1920. "Pantomimus und Tragödie im augusteischen Zeitalter." Neue Jahrbücher für das klassische Altertum, Geschichte und Deutsche Literatur 23: 101-113.
Weismann, Werner. 1972. Kirche und Schauspiele: Die Schauspiele im Urteil der lateinischen Kirchenväter unter besonderer Berücksichtigung von Augustin. Würzburg: Augustinus-Verlag.

Other

Garelli-François, Marie-Hélène. 2000. “Le ludus talarius et les representations dramatiques à Rome.” Revue de Philologie de Littérature et d”Histoire Anciennes 74: 87-102.
Jory, E.J. 1995. “Ars ludicra and the ludus talarius,” in Stage Directions: Essays in Ancient Drama in Honour of E.W. Handley, ed. Alan Griffiths. London: Institute of Classical Studies of the University of London.
Kohn, Thomas D. 2000. "An Early Stage in Vergil's Career." Classical World 93: 267-274.
Ribbeck, Otto. 1875. Die Römische Tragödie im Zeitalter der Republik. Leipzig: Teubner.

G. Other

Music in Art

Andrikou, Eleni, et al. (edd). 2004. Gifts of the Muses: Echoes of Music and Dance from Ancient Greece. Athens: Hellenic Ministry of Culture.
Bundrick, Sheramy. 2005. Music and Image in Classical Athens. Cambridge, Eng.: Cambridge University Press.
Fleischhauer, Günter. 1964. Etrurien und Rome. Musikgeschichte in Bildern, edd. Heinrich Besseler and Max Schneider, Band II: Musik des Altertums, Lieferung 5. Leipzig: V.E.B. Deutscher Verlag.
Green, J.R. 1985a. “Drunk Again: A Study in the Iconography of the Comic Theater.” American Journal of Archaeology 89: 465-472, and plates 52-54.
Green, J.R. 1985b. “A Representation of the Birds of Aristophanes,” in Greek Vases in the J. Paul Getty Museum, Volume 2. Occasional Papers on Antiquities, 3.Malibu, California: The J. Paul Getty Museum, pp. 95-118.
Paquette, Daniel. 1984. L’instrument de musique dans la céramique de la Grèce antique: Études d’organologie. Paris: Boccard.
Snyder, Jane McIntosh. 1998. "Sappho and Other Women Musicians in Attic Vase Painting," in Hearing the Past: Essays in Historical Ethnomusicology and the Archaeology of Sound. Etudes et Recherches Archéologiques de l'Université de Liège 86. Liège: Université de Liège, pp. 165-190.
Solomon, Jon. 1998. "The Representation of Musicians on Geometric Pottery from Attica: Musicians as Decorative Symbols," in Hearing the Past: Essays in Historical Ethnomusicology and the Archaeology of Sound. Etudes et Recherches Archéologiques de l'Université de Liège 86. Liège: Université de Liège, pp. 191-211.
Taplin, Oliver. 1993. Comic Angels and Other Approaches to Greek Drama through Vase-Paintings. Oxford: Clarendon.
Webster, T.B.L. 1967. Monuments Illustrating Tragedy and Satyr Play. Second Edition with Appendix. London: University of London Institute of Classical Studies, Bulletin Supplement 20.
Webster, T.B.L. 1995. Monuments Illustrating New Comedy. Revised and enlarged by J.R. Green and A. Seeberg. 2 vols. London: Institute for Classical Studies. (MNC3).
Wegner, Max. 1963. Griechenland. Musikgeschichte in Bildern, edd. Heinrich Besseler and Max Schneider, Band II: Music des Altertums, Lieferung 4. Leipzig:VEB Deutscher Verlag.
Younger, John G. 1998. Music in the Aegean Bronze Age. Jonsered : P. Åströms förlag.

Dance

D'Angour, A. 1997. 'How the Dithyramb Got Its Shape' Classical Quarterly (NS) 47: 331-351.
Dupont, Florence. 1993. "Ludions, lydioi: Les danseurs de la pompa circensis: Exégèse et discours sur l'origine des jeux à Rome," in Spectacles sportifs et scéniques dans le monde étrusco-italique: Actes de la table ronde organisée par l'Équipe de recherches étrusco-italiques de l'UMR 126 (CNRS, Paris) et l'École française de Rome, Rome, 3-4 mai 1991. Rome: École Française de Rome, pp. 189-210.
Johnstone, Mary A. 1956. The Dance in Etruria: A Comparative Study. Florence: Olschki.
Kitto, H. D. F. 1955. "The Dance in Greek Tragedy." The Journal of Hellenic Studies 75: 36-41.
Lada-Richards, Ismene. 2003. "'A Worthless Feminine Thing"? Lucian and the 'Optic Intoxication' of Pantomime Dancing." Helios 30: 21-75.
Latte, Kurt. 1913. De saltationibus Graecorum capita quinque. Giessen: Töpelmann.
Lawler, Lillian B. 1943. "Orchesis ionike." Transactions and Proceedings of the American Philological Association 74: 60-71.
Lawler, Lillian B. 1964. The Dance of the Ancient Greek Theatre. Iowa City, Iowa: University of Iowa Press.
MacMullen, Ramsay. 1981. Paganism in the Roman Empire. NewHaven: Yale University Press.
Naerebout, F.G. 1997. Attractive Performances: Ancient Greek Dance: Three Preliminary Studies. Amsterdam: Gieben.
Roos, Ervin. 1951. Die tragische Orchestik im Zerrbild der altattischen Komödie. Lund: Gleerup.
Rossi, Luigi Enrico. 1980. “Mimica e danza sulla scena comica greca (A proposito del finale delle Vespe e di altri passi aristofanei),” in Rivista di Cultura Classica e Medioevale. Miscellanea di Studi in Memoria di Marino Barchiesi. Rome: Ateneo & Bizzarri, pp. 1149-1170.
Sachs, Kurt. 1937. World History of the Dance, transl. by Bessie Schönberg. New York: Norton.
Sittl, Carl. 1890. Die Gebärden der Griechen und Römer. Leipzig: Teubner.
Taladoire, Barthélemy-A. 1951. Commentaires sur le mimique et l'expression corporelle du comédien romain. Montpellier: Presses Universitaires de France.
Warnecke, Boris. 1908. “Die Vortragskunst der römischen Schauspieler.” Neue Jahrbücher für das klassische Altertum, Geschichte und Deutsche Literatur 21: 704-713.
Warnecke, Boris. 1910. "Gebärdenspiel und Mimik der römischen Schauspieler." Neue Jahrbücher für das klassische Altertum, Geschichte und Deutsche Literatur 25: 580-594.
Weege, Fritz. 1926. Der Tanz in der Antike. Halle: Niemeyer.
Wright, F.A. 1916. "The Technical Vocabulary of Dance and Song." The Classical Review 30: 9-10.
Zarifi, Yana. 2007. "Chorus and Dance in the Ancient World," in The Cambridge Companion to Greek and Roman Theatre, edd. Marianne McDonald and J. Michael Walton.
Zimmermann, Bernhard. 1995. "Pantomimische Elemente in den Komödien des Plautus," in Plautus und die Tradition des Stegreifspiels: Festgabe für Eckard Lefèvre zum 60. Geburtstag, edd. Lore Benz, Ekkehard Stärk, and Gregor Vogt-Spira. Tübingen: Gunter Narr, pp.193-204.

Music, Education, and Ethics

Abert, Hermann. 1899. Die Lehre vom Ethos in der griechischen Musik. Wiesbaden: Breitkopf & Härtel.
Anderson, Warren D. 1966. Ethos and Education in Greek Music: The Evidence of Poetry and Philosophy. Cambridge, Mass.: Harvard University Press.
Delattre, Daniel. 1998. "The Dialogue of Greece and Rome about Music and Ethics in Philodemus of Gadara," in Hearing the Past: Essays in Historical Ethnomusicology and the Archaeology of Sound. Etudes et Recherches Archéologiques de l'Université de Liège 86. Liège: Université de Liège, pp. 213-241.
Malhomme, Florence, and Anne Gabrièle Wersinger (edd.). 2007. Mousikè et Aretè. La musique et l'éthique de l'antiquité à l'âge moderne. Paris: Librairie Philosophique J. Vrin, 2007.
Pelosi, Francesco. 2010. Plato on Music, Soul and Body. Cambridge, Eng.: Cambridge University Press.
Wallace, Robert W. and Bonnie MacLachan (edd.). 1991. Harmonia mundi : musica e filosofia nell'antichità = music and philosophy in the ancient world. Rome: Ateneo.

Historical Developments

Barker, Andrew. 2004. "Transforming the Nightingale: Aspects of Athenian Musical Discourse in the Late Fifth Century," in Music and the Muses: The Culture of 'Mousike' in the Classical Athenian City, edd. Penelope Murray and Peter Wilson. Oxford: Oxford University Press, pp. 185-204.
Csapo, Eric. 2004. "The Politics of the New Music," in Music and the Muses: The Culture of 'Mousike' in the Classical Athenian City, edd. Penelope Murray and Peter Wilson. Oxford: Oxford University Press, pp. 207-248.
Franklin, John Curtis. 2002. "Musical Syncretism in the Greek Orientalizing Period," in Studien zur Musikarchäologie III, edd. Hickmann, Ellen, Anne D. Kilmer, and Ricardo Eichmann. Rahden: Leidorf, pp. 441-451.
Wallace, Robert W. 1995. "Speech, Song and Text, Public and Private: Evolution in Communication Media and Fora in Fourth-Century Athens, " in Die athenische Demokratie in 4. Jahrhundert v. Chr.: Vollendung oder Verfall einer Verfassungsform?, ed. W. Eder. Aktien eines Symposiums 3.-7. August 1992, Bellagio. Stuttgart: Steiner, pp. 199-224.
Wallace, Robert W. 2003. "An Early Fifth-Century Athenian Revolution in Aulos Music." Harvard Studies in Classical Philology 101: 73-92.
Zimmermann, Bernhard. 1986. “Überlegungen zum sogenannten Pratinasfragment.” Museum Helveticum 43: 145-154.

The Carmina Convivalia

Coarelli, Filippo. 1995. "Vino e ideologia nella Roma antica," in In Vino Veritas, edd. Oswyn Murray and Manuela Tecusay. London: British School at Rome, pp. 196-213.
Horsfall, Nicholas. 1994. “The Prehistory of Latin Poetry.” Rivista di Filologia 122: 50-75.
Peruzzi, Emilio. 1993. “La poesia conviviale di Roma arcaica.” La Parola del Passato 48: 332-373.
Zorzetti, Nevio. 1990. "The Carmen Convivalia, " in Sympotica: A Symposium on the Symposium. Oxford: Clarendon, pp. 289-307.

Byzantine Music

Maas, Paul and C. A. Trypanis, edd. 1963. Sancti Romani Melodi Cantica: Cantica Genuina. Oxford: Clarendon.
Wellesz, Egon. 1961. A History of Byzantine Music and Hymnography. 2nd edition. Oxford: Clarendon.

Modern Analogies

Ahrens, Christian. 1976. “Volksmusik der Gegenwart als Erkenntnisquelle für die Musik der Antike.” Die Musikforschung 29: 37-45.
Baud-Bovy, Samuel. 1983. "Chansons populaires de la Grèce antique." Revue de Musicologie 69: 5-20.
Picken, Laurence. 1975. Folk Musical Instruments of Turkey. London: Oxford University Press.

Varia

Bartol, Krystyna. 1992. “How Was Iambic Poetry Performed? A Question of Ps. Plutarch’s Reliability (Mus. 1141A).” Euphrosyne 20: 269-276.
Battezzato, Luigi. 2003. “Song, Performance, and Text in the New Posidippus.” Zeitschrift für Papyrologie und Epigraphik 1145: 31-43.
Cockle, W.E.H. 1975. "The Odes of Epagathus the Choral Flautist: Some Documentary Evidence for Dramatic Representation in Roman Egypt," in Proceedings of the XIV International Congress of Papyrologists, Oxford, 24-31 July 1974. London: Egypt Exploration Society.
Gibson, Sophie. 2005. Aristoxenus of Tarentum and the Birth of Musicology. New York: Routledge.
Grassi, Teresa. 1920. "Musica, mimica e danza secondo i documenti papiracei greco-egizi." Studi della Scuola Papirologia 3: 117-135.
Hagel, Stefan. 2004. “Caesura and Melody,” in François Spaltenstein and Olivier Bianchi (edd.), Autour de la césure: Actes du colloque Damon des 3 et 4 novembre 2000. Bern: Lang, pp. 11-22.
Linderski, Jerzy. 2003. “Sic valeas: A Latin Inscription, the symphoniaci, and the Afterlife.” Epigraphica 65: 185-195.
Stekelenburg, A. V. van. 2000. "Whistling in Antiquity." Akroterion 45: 65-74.

last modified August 28, 2010 by timmoore@mail.utexas.edu